The Daniel Quinn Files: Ishmael (4)
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We’re zooming in more on the idea of why our culture sees itself the way it does and which consequences this has. Let’s just say, we’re not jellyfish.
Read MoreThe Revenant (2015)
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The Revenant is a breath-taking movie, a visceral experience that not many movies can provide and while it may not be super-deep (as some critics accuse it to be), it resonated deeply with me on a pure emotional and symbolic level. Leonardo DiCaprio gives a great performance, but then he always does, so a real surprise for me was Tom Hardy. His performance is impressive in the many layers he finds for his character and put him on my radar (where DiCaprio has been for a while already). But no review could ignore the director Alejandro González Iñárritu because the movie is really noteworthy for its amazing filming style. The incredible long takes, the beautiful shots of snow and forests and mountains and horizons, the savageness of many scenes and at the same time the courage to analyze how we depict others as savages. Emmanuel Lubezki must be one of the greatest cinematographers of our time and he would just with this movie and Children of Men alone (and I loved the similarities like the blood on the lenses). The score by Ryuichi Sakamoto (and many others) is great, even the visual effects work quite well for such a seemingly naturalistic movie. I loved it and wasn’t bored for a second of its 152 minutes, even if not that much happens.
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A Series of Series: Jessica Jones, Episode 7-9
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Maybe these three episodes are among the best in the whole series. Especially 8 and 9 are so intense and isolated, but also really different from each other. So, there is no doubt that the series is not getting any weaker, just the opposite. Let’s get into the specific episodes.
Read MoreThe Daniel Quinn Files: Ishmael (1)
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I’ve mentioned Daniel Quinn too often to not have gotten into his work yet here, so finally that’s what I’m starting now. Daniel Quinn is the author of many books and the first one, Ishmael, is the one that changed my and many other people’s lives. My plan is to work through his books step by step, discussing his ideas in each of them. Nothing I say can substitute actually reading them, so if nothing else, you can see this as a very long recommendation series. Maybe you know some of his books and find it interesting to hear some thoughts, maybe you don’t and my discussion encourages you to check them out or maybe you generally don’t read books and attain some of his ideas anyway through this.
Read MoreSteve Jobs (2015)
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Steve Jobs is an excellent movie in every aspect. Its grounded in the clever screenplay by Aaron Sorkin who chooses an unusual structure and pulls it off better than anyone could have imagined. The other foundation of the movie’s success is Michael Fassbender in the title role. Fassbender is always brilliant but here he shows some facets I hadn’t seen before from him. Kate Winslet is amazing too in an interesting role. Danny Boyle’s direction also helps to keep the film entertaining, with unusual camera angles, different film stock and a fascinating color scheme. The movie is not realistic or authentic, but one of its charms is that it is fully aware of that and never claims to be. It breaks a lot of rules that normal Hollywood movies tend to follow and proves that sometimes that’s the right way to go. I mean, I’m not a big Apple fan (to put it mildly) and I have a hard time admiring Steve Jobs, but none of this stopped me from enjoying the movie so much, which proves how successful it is in telling a compelling, intelligent story.
Read MoreNoah (2014)
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Noah is a movie that has a certain fascination with it, but ultimately fails, but mostly ideologically. Cinematically, it is often impressive but also gets lost in CGI and awkward plot threads. It has an unusual protagonist that is very hard to like, which makes it a perfect role for Russell Crowe. The movie is… I don’t know, it certainly has its appeal and you can see some of the interesting thoughts that went into it, also not trying to make it a dumb faith-movie (it really isn’t) and treating it simply as a compelling story. But for whatever reason, the movie doesn’t really work. As a fan of Darren Aronofsky this is hard to watch even if you see his touches here and there. But in the end, my biggest problem with the movie is its message, which I’ll further analyze below.
Read MoreBehind These Castle Walls, Part II: Pinocchio (1940)
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For the second movie in my Disney series we get to the second animated full-length feature which is Pinocchio, released in 1940. I’d say as a movie it’s not as well known as some of the other Disney movies, while still pretty popular. Just as Snow White it is a well-made movie with great animation and interesting, creative set pieces. The story, based on a novel, was changed significantly and is at least as problematic as Snow White’s, in my opinion. While many themes are similar, some new ones are also introduced. But let’s get to the analytical details of this one, it won't be short.
Read MoreYou Belong on the Radio - 1981 Edition [1981 Week]
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No theme week without songs. The leitmotif for this week seems to be “detachment”, so let’s see how the popular songs of 1981 join the detached chorus.
Read MoreBehind These Castle Walls, Part I: Snow White and the Seven Dwarfs (1937)
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Ever since I read J. Zornado’s revolutionary important book Inventing the Child, in which he examines children’s fiction and its underlying messages, I looked at books and movies in a different way. Among all the brilliant things this book achieves, what spoke to me in a special way was how he dissected Disney movies, specifically The Young Mermaid and The Lion King. Uncovering their themes of parent authority, gender politics and identity manipulation was a big revelation to me. And ever since then I wanted to look at Disney movies, which are so beloved and popular until today, and see if I could figure out which ideas they sell to kids. So, today I’m starting a new series in which I’ll chronologically go through every major animated Disney movie and try to analyze it closely. I’m not the first one to do this, but I hope I have something new to say anyway. I have seen most of them already in the past, but I will watch them again with different eyes now.
Read MoreYou Belong on the Radio - German Music Charts (3)
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I don’t know how I slipped into a weekly (instead of my intended bi-daily one) routine, but that’s what the holidays sometimes do. Anyway, before I linger more and contemplate what to write about, here’s some songs from the German charts again, because that always works.
Read MoreRevolutionary Road (2008)
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(no real spoilers)
Revolutionary Road is the adaptation of a great novel by Richard Yates that I read many years ago and dearly loved as an amazingly early criticism of our culture. The movie achieves to portray the problems from the novel in a very effective way. I don’t want to compare both of them too much, because I think the movie is its own thing that works well. It features great performances, especially by Kate Winslet and Michael Shannon, but really, all the actors are great. It’s beautifully directed and shot, with a great Thomas Newman score. Director Sam Mendes treads very similar territory as in his American Beauty, but the movies are very different in their tone.
Read MoreInside Llewyn Davis (2013)
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(some minor spoilers)
Inside Llewyn Davis is a somewhat perfect movie for what it is doing. It stars Oscar Isaac in an amazing performance as Llewyn Davis, a musician, and his struggles. The Coen brother turn this story into something so bigger than this, with their talented eye for interesting and weird characters, their skill for filmmaking and, maybe most of all, their ability as great writers. Their dialogue is so brilliant here, so thought-out, the structure of the story seems so random but makes perfect sense if you think about for a little bit and that alone, their knack for activating your brain, is what makes a good Coen movie like this one so special. And Oscar Isaac is so very good, incredibly good. And Carey Mulligan in her unusual but too short role. Oh well, and everyone else.
Read MoreBook Report - 2004 Edition: Building Temples, Cheering and Getting to the Final Sentence [2004 Week]
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I was tempted to write about music this week because the albums from this year were so important to me. But then I thought again about the books from 2004 and I wondered if I will ever have a year with at least three books that really mean a lot to me and that have something to say that fits here. So, welcome to the 2004 Book Report!
Read MoreYou Belong on the Radio - 2004 Edition [2004 Week]
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What will the top songs of 2004 tell us? Let’s find out!
Read MoreAn Education (2009)
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An Education is a strangely unconventional film that feels more conventional than it is. It acts like a romance between two people that have to fight against conventions but turns out to be a bildungsfilm, the story of a girl growing up and becoming more mature than the adults around her. That makes it a much more powerful movie than it would have been as a tragic romance. Carey Mulligan is absolutely brilliant in the lead and after seeing her in six different movies in six wildly different roles in the last year, I believe she could play anyone. The movie is very entertaining, maybe a little slow in the middle, but especially the ending is powerful and effective.
Read MoreThis 80s Movie: At Close Range (1986)
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At Close Range is a strangely conventional film made in an unconventional way and suffering at bit from its 80s heritage. It stars a young Sean Penn following his father’s criminal life for a while before moving away from it again. It both feels like an indie movie and a Brat Pack movie at the same time, due to its unusual filmmaking choices and the cast of young actors that were or would become famous. It is a bit long and not very exciting most of the time, but it has a certain appeal that gets stronger as the movie progresses. It doesn’t feel like a typical crime movie, more like a meditation exercise, many scenes of people staring and being silent, but it’s not necessarily boring. It is not a bad movie at all, even if I make it sound this way, it’s well filmed with an interesting use of light and shadows. I didn’t like the overly tropy opening scene, in which we learn just how cool of a character Sean Penn is and how fast the right girl falls for him. But it gets much better after that, apart from the ending (see below). The music is as 80s-synthie-bad as possible, though. The way it switches between fascinating and contrived is very symptomatic for James Foley’s future career as a director (who would follow this movie with the Madonna-vehicle Who's That Girl? and some years later would direct the classic Glengarry Glen Ross).
Read MoreMad Max: Fury Road (2015)
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Mad Max: Fury Road is such a force of a movie, it’s hard to not be blown away completely by it. It’s a movie I didn’t really have on my radar until the reviews came in and I had to go and see for myself. So, my expectations were high, but I didn’t really expect to be this amazed, this enchanted, this astonished by a movie like that. The acting is amazing as Charlize Theron and Tom Hardy have their roles down to perfection. The direction by (70-year-old!) George Miller is so flawless and confident, it should bring most other directors to shame. The screenplay is a brilliant mix of pathos and feminist propaganda. The production design, make-up, hair, costumes, the whole world that is created here in intricate detail is worth the ticket alone. I could go on and on about the breathtaking cinematography (72-year-old John Seale!), the relentless score, the brutal editing, the great mix of practical and computer effects, the action, the perfectly planted tiny bits of humor. This movie just has it all. I don’t know if you’ll like this movie, if you’re not really into dystopias or stunts, but I’d assure you that you’d still find enough to at least enjoy parts of it, because even if the movie is basically four giant action set pieces tied together, it still has more heart and brain than most movies coming out all year. It is a miracle it even got made by a major studio. This is an early contender for one of the best films I’ve seen this year.
Read MoreLondon Rambling, Part 2
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It’s so hard to summarize all the impressions I’ve been having here over the last two days, but I’ll try. What I do notice more and more that I really enjoy exploring such a big city because there is so much to see and discover, but it also becomes more exhausting each day. I wouldn’t want to live here, as much as I like the city by now. It’s simply too much of everything and the bad parts would depress me soon.
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