Trailing Tropes: When Angela Bassett Cries

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Trailing Tropes: When Angela Bassett Cries

I’ve been wanting to write about trailers a while now, but when I was sitting in the cinema recently, it again occurred to me how strongly trailers rely on certain tropes. It doesn’t mean that the movies they are advertising do things wrong because a trailer is never really as representative as we are supposed to believe. But what fascinates me is how trailers use certain images to promote their movies, how the reduction to a couple of images leads to images that have clear connotations audiences should respond to. I don’t know if this will become a recurring feature, but for now, let’s take a look at some trailers and the tropes they market besides their actual product.

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Southpaw (2015)

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Southpaw (2015)

Southpaw is an utterly conventional and manipulative movie that is only saved one of Jake Gyllenhaal’s most unique (and best) performances as the boxer Billy Hope. Gyllenhaal is not just good, he creates a character unlike anything we’ve seen before. Hope is so different and ambiguous. We cannot entirely figure him out, but that is part of his appeal. If you have seen the trailer, you basically know everything about the movie’s standard plot. There are no surprises and the emotions asked of you are a high form of manipulation. Sure, on some level it still works (daddy-daughter dramas always get me), but I can still criticize the movie’s laziness. The script by Kurt Sutter is a mess, leaving many plotlines unresolved and instead relying on us knowing how these stories go. Aside from some questionable shots, Antoine Fuqua’s direction is well done, especially the boxing scenes. I would recommend the movie only for Gyllenhaal’s performance, although it is strangely effective if you turn off your brain.

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Real Steel (2011)

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Real Steel (2011)

Real Steel is a movie you don’t think you want to see and which surprises you insofar as it isn’t completely stupid and somewhat entertaining. But it is still a movie about robot fights, so the good will only goes so far. Nevertheless, Hugh Jackman is always entertaining (I think) despite some overly manhood mannerisms and the effects are pretty good too. The plot is mostly free of surprises while the characters are written well enough for the most part. Danny Elfman’s score is terrible, tough, which is a shame. It’s also very much too long. This is no masterpiece by any chance, but it’s entertaining to some degree.

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21 Jump Street [2012 Week]

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21 Jump Street [2012 Week]

21 Jump Street is the perfect movie for this week to me. It is very popular and successful (not necessarily the same thing), it encapsulates many things I’d consider representative for this year (or our time) and it’s actually quite good. I expected to find it okay, but I really liked it and was surprised by the wit and charm of it (with exceptions). Jonah Hill (who I have a soft spot for because of Wolf of Wall Street) and Channing Tatum (who I didn’t think could act) are really good in their roles, the writing is good and the movie has many ideas. It’s not deep or anything, but it is entertaining and a little bit more, which must count for something. Some of the jokes are too vulgar (especially in a scene towards the end, which is simply gratuitous and not funny) and Ice Cube is really bad. I mean, really, really bad. But apart from that, this is a very funny movie that makes me want to see the sequel.

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Our Life Is a Movie: The Cabin in the Woods (2012)

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Our Life Is a Movie: The Cabin in the Woods (2012)

(spoilers ahead)

Cabin in the Woods is a very clever movie that seems innocent and surely will fly by many people. But it’s so many things at once. It’s a decent horror movie, a comedy, a great work of metafiction and, most importantly, an amazingly intriguing comment on our society. It’s extremely well made and acted, and all in all a really bold movie. Since it appears in this series, I obviously love it.

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