Sleepaway Camp (1983)

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Sleepaway Camp (1983)

(spoilers ahead)

Sleepaway Camp is a perfect bad movie. It’s so ridiculous in anything it is doing that it is a constant joy to watch (if you enjoy bad movies of course). The acting is over the top or non-existent, every aspect of filmmaking is weird and the story doesn’t make any sense. But it’s fun! It’s a classic slasher movie with silly death scenes and the most logic-free plot you can imagine. On top of it all, the movie is incredibly sexist (in many ways) all the way to the insane ending. It is really incredible that this movie was a success and seemingly is still remembered fondly by people who saw it in the 80s. But there is nothing better for listening to funny people talk about it.

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This 80s Movie: At Close Range (1986)

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This 80s Movie: At Close Range (1986)

At Close Range is a strangely conventional film made in an unconventional way and suffering at bit from its 80s heritage. It stars a young Sean Penn following his father’s criminal life for a while before moving away from it again. It both feels like an indie movie and a Brat Pack movie at the same time, due to its unusual filmmaking choices and the cast of young actors that were or would become famous. It is a bit long and not very exciting most of the time, but it has a certain appeal that gets stronger as the movie progresses. It doesn’t feel like a typical crime movie, more like a meditation exercise, many scenes of people staring and being silent, but it’s not necessarily boring. It is not a bad movie at all, even if I make it sound this way, it’s well filmed with an interesting use of light and shadows. I didn’t like the overly tropy opening scene, in which we learn just how cool of a character Sean Penn is and how fast the right girl falls for him. But it gets much better after that, apart from the ending (see below). The music is as 80s-synthie-bad as possible, though. The way it switches between fascinating and contrived is very symptomatic for James Foley’s future career as a director (who would follow this movie with the Madonna-vehicle Who's That Girl? and some years later would direct the classic Glengarry Glen Ross).

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Ordinary People (1980) [Part 1]

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Ordinary People (1980) [Part 1]

(spoilers ahead)

Ordinary People is an exceptionally observant movie about families, psychological problems and relationships. It shows hard truths about people and is not idealizing anything, which is not what I had expected from a 1980 movie. Its screenplay (by Alvin Sargent) is excellent in its dialogue and structure. Robert Redford’s direction is so deliberate, his touch is almost too visible (not for me, but I assume some people might be bothered by it). The acting is flawless throughout, it’s almost impossible to pick anyone. But overall, the movie is just good in the things it has to say and how it says them. It obviously worked in 1980, but I think it’s just as relevant today.

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This 80s Movie: Cruising (1980)

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This 80s Movie: Cruising (1980)

(spoilers ahead)

Cruising is a confused movie, confused about its intention, its story and ending, but also about what it wants to say about homosexuality. And, to get straight it, it should say something about homosexuality. Being one of the few movies to deal with the issue, it shouldn’t act like it doesn’t have an opinion on it. But the movie is so unfocused and messy that it shouldn’t be a real surprise. On the surface a crime mystery about a killer who kills gay men who indulge in the leather scene, the movie doesn’t do much but being grim, cold and dark, while having a protagonist that never allows us to know what happening inside of him. The movie got its attention only because it tackled homosexuality and supposedly showed gay sex in a graphic way before it had to be cut. Would this be a movie a killer in a heterosexual swinger scene, it probably would never have seen the light of day.

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This 80s Movie: Prom Night (1980)

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This 80s Movie: Prom Night (1980)

(spoilers ahead)

Prom Night is a terribly formulaic and terrible slasher movie. It sets up everything it needs for a by-the-numbers slasher concept and follows it through without even the slightest hint of surprise. It starts out with a wrongdoing in the past, makes a time jump of six years (in which all the characters age by about 15 years), just so that a killer can take revenge on them for what they did as kids. It’s amateurishly filmed and acted, the dialogue is boring and even the murders are uninventive. Actually, the murders astonished me the most, since there is no attempt made to graphically show them at all, although movies like this are all about showing grisly murders. A lot of them happen off-screen and it takes the movie over an hour to even get there. Considering this is one of the first examples of slasher movies, it should have been clear to anyone seeing it in 1980 that there wouldn’t be another gem like Halloween anytime soon.

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This 80s Movie: Ms. 45 (1981)

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This 80s Movie: Ms. 45 (1981)

(spoilers ahead)

Ms. 45 is an example of a vigilante movie, although it goes even more absurd than most of them are. It is one of Abel Ferrara’s first movies and is crude, violent and absurd. I couldn’t call it good convincingly but in a way it was better than I expected after the first ten minutes of the movie. The acting is mostly bad, the dialogue too, the music is torture for the ears, but there is a certain fascination for a movie that mostly does what you assume it would, but sometimes goes along paths that are totally unexpected. And for a movie that deals with a female vigilante (or “misandristic spree killer” as Wikipedia proudly sets right), it sure says many things about men and women. I’m not sure it knows exactly what to say, but it’s interesting to take a look at the messages it conveys. It also works as an era representative for the 80s: a mixture of fashion world and crime infected New York, both typical 80s memes.

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This 80s Movie: WarGames (1983)

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This 80s Movie: WarGames (1983)

After my 70s movie didn’t give me anything I wanted to write about (Mean Streets), I got to an 80s movie. I find it much easier to talk about the 60s and 70s, for one thing because they seem more special to me, but also because I find it harder to grasp the 80s, to get a feel for them. Maybe also because I was born in 1980 and it’s harder to view a decade if you’ve actually been there. Distance certainly helps. Anyway, the 80s to me are somewhat the antithesis of the 60s and 70s, which were a time where real change was possible, while the 80s felt like taking two steps back. But instead of the conservatism of the 50s, the 80s were governed by extreme capitalism and a superficiality that is often mocked but still true. Even if it’s an overgeneralization (as it must be if you try to summarize 10 years in history in a few keywords), there’s a reason why MTV, hairstyles and silly pop music are representative for this era.

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