Here's My Future (3)

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Here's My Future (3)

In Here’s My Future I’m talking about my transfer from a traditional school after seven years to an integrated, more alternative school and all the changes that this change brings for my profession.

I’m sitting at my new school now, at my desk, in my room. It’s the end of my third week and I feel both exhilarated and exhausted. It has been quite a ride, so much has happened, I’ve learned and saw a lot and even if I sometimes feel frustrated, my overall feelings definitely lean more to the positive side. Here’s why.

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Here's My Future (2)

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Here's My Future (2)

In Here’s My Future I’m talking about my transfer from a traditional school after seven years to an integrated, more alternative school and all the changes that this change brings for my profession.

I’m sitting at my school right now, as the minutes tick down to my grandiose, silly goodbye ceremony that I agreed upon for some obscure need for closure. It’s the kind of thing I tend to hate (and used to skip in the past), in part done by people I’m happy to never see again. But this is the end, my friend, and for some reason I feel like going through with it until it’s over. But it’s also the beginning.

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The Surface Is a Warm Blanket

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The Surface Is a Warm Blanket

I made the stupid mistake of taking all the exams I had written in my classes into the holidays for correcting. Normally, I try to get them done as fast as possible and to not take too much with me in the holidays, but this time there was just no other way. Getting through those four piles of exams, I couldn’t help but notice some patterns and have some thoughts that are partially troubling to me. Here they are.

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Blow Out (1981) [1981 Week]

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Blow Out (1981) [1981 Week]

(spoilers ahead)

Blow Out is an incredibly cinematic movie but it never becomes just an exercise in moviemaking by actually having something to say. Still, director Brian de Palma uses every trick in the book to enhance this story and to (often) visually explore an aspect of moviemaking that is not visual: sound. That alone is fascinating to watch but the movie also works as a dark conspiracy thriller about a disillusioned generation that mourns the 60s and 70s. John Travolta delivers a great performance here with a wide range of hopelessness, excitement, anger and despair. But this is a director’s movie and I’m not the first to suggest that this might be de Palma’s finest moment both as a director and a writer. The use of split-screens, change of focus with special lenses, long takes and a circling camera (in one spectacular scene that doesn’t ever seem to stop) are impressive and effective at the same time. After watching so many movies from 1981, this one stands out so spectacularly that even weeks after seeing it, it makes me feel good to see so much passion on the screen.

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