Northwest Passage (1940) [1940 Week]

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Northwest Passage (1940) [1940 Week]

Northwest Passage is a better film than North West Mounted Police, but that doesn’t really mean that much. What makes it better is that it is filmed better, there are some spectacular scenes, the acting is better and the colors don’t blind you. When it comes to the depiction of Native Americans this might be even worse. At least it shows the extinction of Native Americans as detailed and gruesome as possible, while not taking any moral stance against it and actually justifying it most of the time. This is essentially a war movie, but instead of soldiers killing other soldiers in WWI or WWII, we have rangers taking out Native Americans. While they walk through swamps and forests, there is almost an impossible Vietnam vibe to all of it. It sort of works as a war movie adventure, in depicting the struggles the soldiers have to get through (the action scene in the river is kind of cool), the way they plan their mission and the difficulty of getting back home. In that sense it is almost enjoyable, if you ignore any ethical alarms setting of at watching the glorification of war and genocide.

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North West Mounted Police (1940) [1940 Week]

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North West Mounted Police (1940) [1940 Week]

North West Mounted Police is a bad movie in many ways. It is a Cecil B. DeMille spectacle, which is what he was determined to do, but in this case the very concept of a spectacle for this story seems misguided. Using a rebellion of a minority group against the American government as a background is not a good idea, especially if it turns the rebels into caricatures and uses it to paint the North West Mounted Police, a group of horse-riding Canadian policemen, as heroes. Add in some intercultural romance, betrayal, honor and many stereotypes about natives and women and you get an overlong piece of pseudo-propaganda with overly bright colors and strange acting. It is a movie that has very problematic ethical standards and is not well-made. This is not a movie that needs to be remembered.

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Comics Are for Everyone: 1940 Edition - Spanking During War Times [1940 Week]

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Comics Are for Everyone: 1940 Edition - Spanking During War Times [1940 Week]

(Coincidentally, this is the 200th post on this blog! Yes, go and count, it's true. Hooray!)

Comics in 1940 were very different than they are now. If you know anything about comics history you know that publishers back then didn’t really care about artists or writers, let alone royalties. Stories were cobbled together with no time and not much care. That the mess of the origin of many famous characters is the basis for what we still read and watch today is somewhat amazing. If you actually look at those comics, you see no great art in most cases and certainly no stories that are well-written. I decided to take a look at some #1s that came out during that year and focus on the most interesting, funny, weird or problematic panels.

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The Great Dictator (1940) [1940 Week]

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The Great Dictator (1940) [1940 Week]

The Great Dictator is a true classic in theory, a movie many people know and that seems to be relevant even today after Charlie Hebdo and The Interview and any satire that focuses on dictators. But I wonder how many people actually know the movie and like it as a movie as opposed to a concept. The movie ranks very high on the IMDb user ranking and after seeing it, I am surprised by that. It is not a bad movie at all and some scenes are really good, but overall I found it to feel forced, uneven and, worst of all, not very funny. I know, sacrilege!, but I watched the movie with the most open mind and was constantly stunned how jokes fell flat and how little payoff there often was. Often the satire is not really sharp and rather relies on slapstick, but, I think, even then slapstick that is mediocre. The editing is off in many, many scenes, hurting the movie’s pace. The acting was great throughout, though. Maybe my expectations were too high, but I was disappointed. Sure, if you account the time and circumstances, maybe you can’t really expect more, but the question is if the movie should be judged simply on its intentions or on its actual quality.

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Poster of a Girl - 1940 Edition: You May Kiss the Doll Now [1940 Week]

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Poster of a Girl - 1940 Edition: You May Kiss the Doll Now [1940 Week]

There’s no theme week without posters. Luckily, there aren’t so many posters to find from 1940 (at least not as easy as with more recent years), so the list is much shorter this time. Interestingly, the designs are much more sparse and simple than in later years. So, there is not quite as much to analyze as usual, but still enough, so here we go.

 

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Waterloo Bridge (1940) [1940 Week]

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Waterloo Bridge (1940) [1940 Week]

(spoilers ahead, but you don't care, right, it's a 1940 movie)

Waterloo Bridge is an odd film to judge. On the surface I liked it. The acting was quite good, the dialogue is well written and the direction by Mervyn LeRoy is good. It is an entertaining movie, apart from its plot development and moral, especially concerning women. I have rarely seen such a strange mixture of serviceable filmmaking and questionable ethics. Interestingly, for a movie made in 1940, it is set mostly during World War I but also includes Britain declaring war on Germany in World War II, clearly appealing to audience’s emotions at the time. Anyway, there are worse old movies you could watch and this one at least offers the opportunity for interesting post-watching discussions.

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For Whom 1940 Tolls [1940 Week]

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For Whom 1940 Tolls [1940 Week]

It’s 1940 week! Can you tell I’m excited? I am always looking forward to theme weeks in general because they provide a clear structure for me and they force me (well, by my wish) to post seven posts a week. Which is much easier when you can follow a clear guideline or a theme to build around. I’d do more theme weeks, if there were more popular. Anyway, on top of all of that this is finally an “old” theme week, something not just beyond what I actually experienced (everything back to the 80s) or even beyond what I know a lot about (the 60s and 70s). I don’t know much about this year or even decade, which makes this all the more interesting and exciting to me. Let’s get to it, shall we? (as they said in 1940, I guess).

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